Category Archives: Music

Signs Of Signs • 4

Posted on May 31, 2015 by Jon Awbrey

Re: Michael Harris • Language About Language But then inevitably I find myself wondering whether a proof assistant, or even a formal system, can make the distinction between “technical” and “fundamental” questions.  There seems to be no logical distinction.  The … Continue reading →

Posted in Aesthetics, C.S. Peirce, Category Theory, Coherentism, Communication, Connotation, Form, Formal Languages, Foundations of Mathematics, Higher Order Propositions, Illusion, Information, Information Theory, Inquiry, Inquiry Into Inquiry, Interpretation, Interpretive Frameworks, Intuition, Language, Logic, Mathematics, Music, Objective Frameworks, Objectivism, Peirce, Philosophy of Mathematics, Pragmata, Pragmatics, Pragmatism, Recursion, Reflection, Riffs and Rotes, Semantics, Semiotics, Set Theory, Sign Relations, Syntax, Translation, Triadic Relations, Type Theory | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Quotiens?

Posted on February 28, 2013 by Jon Awbrey

How many times do I repeat the same experience? Before I come to see it as the same experience?

Posted in Algorithms, Anamnesis, Arithmetic, Deja Vu, Education, Epistemology, Eternal Return, Inquiry, Learning, Meno, Music, Pattern Recognition, Plato, Poetry, Recursion, Repetition, Rhythm, Teaching | Tagged , , , , , , , , , , , , , , , , , | 2 Comments