Category Archives: Music

Signs Of Signs • 4

Re: Michael Harris • Language About Language But then inevitably I find myself wondering whether a proof assistant, or even a formal system, can make the distinction between “technical” and “fundamental” questions. There seems to be no logical distinction. The … Continue reading

Posted in Aesthetics, Category Theory, Coherentism, Communication, Connotation, Form, Formal Languages, Foundations of Mathematics, Higher Order Propositions, Illusion, Information, Information Theory, Inquiry, Inquiry Into Inquiry, Interpretation, Interpretive Frameworks, Intuition, Language, Logic, Mathematics, Music, Objective Frameworks, Objectivism, Peirce, Philosophy, Philosophy of Mathematics, Pragmata, Pragmatics, Pragmatism, Recursion, Reflection, Riffs and Rotes, Semantics, Semiotics, Set Theory, Sign Relations, Syntax, Translation, Triadic Relations, Type Theory | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Quotiens?

How many times do I repeat the same experience? Before I come to see it as the same experience?

Posted in Algorithms, Anamnesis, Arithmetic, Deja Vu, Education, Epistemology, Eternal Return, Inquiry, Learning, Meno, Music, Pattern Recognition, Plato, Poetry, Recursion, Repetition, Rhythm, Teaching | Tagged , , , , , , , , , , , , , , , , , | 2 Comments